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Horses in Art by: Andrea
Balch
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The History of the horse in art is one that
spans thousands of years, and goes back to
before the horse was first domesticated. The
discoveries of rock paintings at Lascaux and
Avignon in France have provided us with an
insight , not only in to the very early artists,
but also of the physical appearance of the
primitive horse. That these paintings have
survived at all is unbelievable, but when you
consider their date of approximately 20,000 BC,
and compare this to the condition they are in,
is it quite astonishing.
Significance of Cave Paintings. Both the
Sites at Lascaux and Avignon are buried in deep
underground caves, and perhaps this has largely
contributed to their preservation. It is
interesting to consider why these paintings were
done in such inaccessible places and whether
they were depictions of what early man
considered to be spiritual or god-like animals.
Alternatively , they could simply have been
portrayals in admiration of the fierce and wild
spirit of the early horses. One vivid drawing is
the picture of a horse at Niaux, in the
mid-Pyrenees. Carefully drawn with the heavy
black outline, it bears a striking resemblance
to Przewalski's horse. Others, at the site at
Vallon-Point-d'Arc, are depicted with flowing
lines and bold colour and are so detailed that
it is possible to pick out spotted markings
similar to the Appaloosa.
Carvings of Nineveh and Nimrud. Pictures of
the horse through the centuries provide us with
a tremendous information, ranging from the horse
in society, to how the horse developed. Another
great source of pictures comes from the Assyrian
people of the Middle East, and the best of these
are in the Assyrian Ashurbanipal Hunting Relief
Large. This relief was found in the Ashurbanipal
Palace, Nineveh. It is from 645 B.C. and can now
be found in the British Museum.
Form of bas-reliefs carvings in the palaces
from Niveveh date back approximately to 645 BC
and give a vivid portrayal of the times. They
include carvings of an exotic lion hunt with the
king in his chariot. Standing alongside are the
beautifully and evocatively displayed horses,
tense with the excitement of the chase. They
even showing the harnessing and tack that were
being used on the horses. The horses appear
muscular and in good condition , obviously well
looked after, but are depicted with a typical,
straight legged movement it is many years before
horses were shown with a natural movement in
their gait.
The relief's at Nimrud, which date to
approximately 865-860 BC, are equally as vivid
as those at Nineveh. They show mounted archers
riding mounted bareback on powerful looking
stallions, while aiming their bows. Again, the
relief's show the elaborate bridles that were in
use and a type of decorative neck hanging with
tassels.
Horse Sculptures, perhaps some of the most
early amazing sculptures are the four figurines
of the early gilded copper horses which reside
in the Basilica San Marco, Venic. These horses
date back to the third of forth century BC and
stand larger than life size. They are believed
to have been produced by the Greek sculptor
Lysippus and are wonderfully proud and mascular.
They are fairly atomically correct, very life
like.
Horses have been depicted in the history af
art for their strength and beauty. This such
depiction has been the subject of many an
artist, that has continued to this day. And,
being a very popular subject, can only enrich
art as a tribute to the horse.
| About The Author
Andrea
Balch is the owner of pets-of-the-realm.
For more information and articles, do
come and visit this rich site
www.pets-of-the-realm.com. |
source: articlecity.com |